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Книга по требованию: The Cathedral Paragraph Psalter

Товар № 11553248

Containing the Canticles, Proper Psalms and the Twenty Selections of Psalms, Arranged in Paragraphs and Pointed for Chanting, With Brief Notes on the Psalter (Classic Reprint)

Вес: 0.65 кг.
Год издания: 2016
Страниц: 414 Переплет: мягкая обложка
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Excerpt from The Cathedral Paragraph Psalter: Containing the Canticles, Proper Psalms and the Twenty Selections of Psalms, Arranged in Paragraphs and Pointed for Chanting, With Brief Notes on the Psalter

As examples of Psalms for which Single Chants are suitable, may be mentioned Psalms 8, 15, 30, 67. Among the Psalms for which Double Chants are suitable, may be mentioned Psalms 3, 24, 38, 74. Triple Chants are suitable for Psalms 2, 39, 41, 76. 77, 96, 97, 137, 146, as well as for Psalms 1 and 98, when rearranged. As suitable for special treatment may be mentioned Psalms 18, 68, 78, 104, 105, 106, 107. Many, indeed most, of the Psalms can be equally well rendered musically by Single Chants as by Double. For the Gloria Patri, which is not to be looked upon as any part of the Psalm which it follows, either a Single or a Double Chant can be used.

It will be found best to assign each Chant, whenever such an arrangement is practicable, to a whole Psalm, or a considerable section of a Psalm, in many instances comprising more than one subordinate group of verses, leaving it to the Organist and the Choir to give suitable expression to the several verses or subordinate groups within the Psalm or section, by means of renderings (which can be varied almost indefinitely, according to taste and musical skill), adapted to the changes and alternations of subject and feeling, which are often almost inextricably interwoven, and often succeed each other very rapidly.

In view of the reliance which must naturally and necessarily be placed upon the taste and skill of the Organist, the Choirmaster, and the Choir itself, it has been thought sufficient to insert at the beginning of each group of verses, of whatever length, a mark (p, mf. F, suggestive of the musical expression pr'oper to it in general, without specifying more precisely, except when strong contrasts seem to call for it, the mode of dealing with each verse in the group. It is felt that while it is well to indicate general expression, to go too much into detail, even if it could be fully and satisfactorily carried out, might induce a fatiguing sense of restlessness, and tend to weaken, rather than enhance, the advantages of the system of grouping.

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